Paul Auster books and Jawbreaker records are my foundational texts. You can draw a straight line from those albums to my life in music, and I’m a reader and a writer because of Auster.
After learning of Auster’s passing late last night, I started rereading The Invention of Solitude. It was the only ebook from his early work with no waitlist on the Libby app. Mal was sleeping, so I wanted to read on the Kindle without turning on a light in our bedroom.
I’d forgotten what it was, that it opens with death. I’d forgotten, maybe never really knew, that it was his first book. I went looking for my physical copy this morning, but it’s missing, so I bought a used one on eBay for $1.99 in my preferred Penguin paperback pressing.
I’ve had Auster’s weighty 4321 on the shelf, unread, for several years. It’s perfect for My Year of Reading Thiccly™️, so I’ll start that beast once I’m through 2666. I’ll likely reread some of my other old favorites, too. Anyone go hard for his stuff published in the ‘00s? I missed most of those, popping in here and there with a couple novels. It’s been common to hear dismissive stuff about those books, but I bet some are due for reevaluation.
Goodbye to the fuckin’ man.
Here are some favorites from April as told by my camera roll.
🖤AV
Thanks for being here.
🖤AV
PS: My buddy Lexi Kent-Mooning reads my short piece from Sad Happens on the newest episode of Slow Stories followed by a great interview with Brandon and Rose on making the book.
Auster was such a great writer. I tore through his stuff when I discovered him. "The Music of Chance" was always a favorite.
I met someone in Naples, Italy once, and when I told her I wrote fiction her response was, Like Paul Auster? Like when she thought of American fiction, she thought of him. Made me think that his reputation abroad might surpass his reputation here, and that his work must travel well, which is usually indicative of something vital.
P.S. Didn’t know there was a new Phosphorescent album, stoked to check it out